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<channel>
	<title>studio gb</title>
	<link>https://studiogb.uk</link>
	<description>studio gb</description>
	<pubDate>Wed, 09 Nov 2022 17:41:44 +0000</pubDate>
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	<item>
		<title>Privacy Policy</title>
				
		<link>https://studiogb.uk/Privacy-Policy</link>

		<pubDate>Wed, 09 Nov 2022 17:41:44 +0000</pubDate>

		<dc:creator>studio gb</dc:creator>

		<guid isPermaLink="true">https://studiogb.uk/Privacy-Policy</guid>

		<description>
Privacy Policy 
2022
This policy applies to information held about
clients and prospective clients, suppliers and prospective suppliers, collaborators,
prospective collaborators, consultants, prospective consultants, contacts and
all other persons about whom studio gb holds information.






By 'information', we mean personal information
about you that we collect, use, share and store. In this policy,
"we," "us," and "our" means studio gb and
"you" means the individual to whom the information relates.






What We Collect



your name; your contact information such as your
address, email address and telephone number; if required, your payment details
/ financial data i.e. your bank name, account number and sort code; information
related to your attendance of, and interest in, our events, lectures and
exhibitions; information about you that you give to us in person, at events and
lectures, or by corresponding with us by phone, e-mail or otherwise;
information collected when browsing our website, or opening our newsletter,
standard Google Analytics data such as your IP address, your browser type.






How We Collect Information About You






We collect information you give to us when you
give us information in person, over the phone, by email, or by post.






What We Do With The Information We Gather






We use it to provide information about our
activities to you; keep you informed about our events that we think you may
find interesting; carry out our obligations arising from any agreements entered
into between you and us; communicate with you; and comply with legal and
regulatory obligations.



Legal Basis For Processing






Our processing of your personal information is
necessary: for the performance of contracts to which you will be a party to and
in order to take steps at your request prior to you entering into those contracts;
for the purposes of legitimate interests pursued by us; or in order to comply
with a legal obligation to which we are subject. In relation to any processing
of special categories of personal data, we will generally rely on obtaining
specific consent from you at the time unless there is otherwise a legal
requirement for us to process such information.



Legitimate Interests






Where our processing is based on the legitimate
interest grounds described above, those legitimate interests are: (i)
collecting personal information to provide you with a smooth and efficient client
or collaborator experience; (ii) to make sure you receive updated information
on studio gb’s activities; (iii) to provide the services you have requested;
and (iv) for our own marketing and research.






Sharing Your Information






Except as expressly set out in this policy, we
will not sell, distribute or lease your personal information to third parties
unless we have your permission or are required by law to do so. The personal
information you provide to us may be shared with third-party companies, agents,
contractors, service providers or affiliated companies if this is necessary to
provide you with our services, respond to your inquiries or for any of the
purposes described in this policy. We may also share your personal information
with: law enforcement agencies, other governmental agencies or third parties if
we are required by law to do so.






Your Rights






At any time, you have the right: to request
access to or a copy of any personal data which we hold about you; to
rectification of your personal data, if you consider that the information we
are holding is inaccurate; to ask us to delete your personal data, if you
consider that we do not have the right to hold it; to withdraw consent to our
processing of your personal data (to the extent such processing is based on
previously obtained consent); to ask us to stop or start sending you marketing
messages as described below in the marketing section; and to object to your
personal data being processed in certain circumstances.






Any request from you for access to or a copy of
your personal data must be in writing (to info@studiogb.uk or via post to studio
gb, Flat 4 4 Elm Grove, London SE15 5DB, UK), and we will respond within one
month in compliance with data protection legislation. We will comply with our legal
obligations as regards your rights as a data subject.






We aim to ensure that the information we hold
about you is accurate at all times. To assist us in ensuring that your
information is up to date, do let us know if any of your personal details
change by emailing us at the following email address: info@studiogb.uk




Marketing






Where you are one of our clients or have
otherwise agreed to be contacted for marketing, we may use your personal
information to send you information about events, lectures and our business
activities (i.e. our postal invitations, email invitations or email alerts).
You can unsubscribe from receiving such information at any time. You can
unsubscribe from any electronic mailing we send you by clicking the 'Unsubscribe'
button. You also have the option of "unsubscribing" from our mailing
list at any time, thereby disabling any further such e-mail or other
communication from being sent to you by: emailing us at info@studiogb.uk telephoning
us at +44 (0)203 638 6759 or writing to us at studio gb, Flat 4 4 Elm Grove,
London SE15 5DB, UK. We will action any opt-out request from you as soon as possible.






How Long Will We Keep Your Information?






We will only keep the information we collect
about you for as long as required for the purposes set out above or as required
to comply with any legal obligations to which we are subject. This will involve
us periodically reviewing our files to check that information is accurate,
up-to-date and still required. Where we are permitted to send you direct
marketing communications, we may retain your contact information necessary for
this purpose for as long as you do not unsubscribe from receiving such
communications. If you opt-out from receiving our marketing, we will retain
your information to enable us to respect your wishes to not be contacted for
marketing purposes (i.e. if you unsubscribe, we will retain the necessary
contact information for you to ensure that we do not contact you again, as per
your wishes).






Links to Other Sites



Our website and mailers may contain links to
other websites of interest, including via our social media buttons. While we
try to link only to websites that share our high standards and respect for privacy,
we are not responsible for the content, security, or privacy practices employed
by other websites and a link does not constitute an endorsement of that
website. Once you link to another website from our website, you are subject to
the terms and conditions of that website, including, but not limited to, its
internet privacy policy and practices. Please check these policies before you
submit any data to these websites.






Certain features of our site will allow for
social networking. You should ensure when using these features that you do not
submit any personal data that you do not want to be sent, collected or used by
other users, such as profile details or e-mail address.



Questions






Questions, comments and requests regarding this
policy are welcomed and should be addressed to info@studiogb.uk.






Changes to this Policy






Any changes we make to our policy in the future
will be posted on this page. Please check this page frequently to see any
updates or changes to our policy.



&#38;nbsp;



 </description>
		
	</item>
		
		
	<item>
		<title>Projects</title>
				
		<link>https://studiogb.uk/Projects-2</link>

		<pubDate>Mon, 03 Oct 2022 06:34:56 +0000</pubDate>

		<dc:creator>studio gb</dc:creator>

		<guid isPermaLink="true">https://studiogb.uk/Projects-2</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Research</title>
				
		<link>https://studiogb.uk/Research-2</link>

		<pubDate>Mon, 03 Oct 2022 06:54:18 +0000</pubDate>

		<dc:creator>studio gb</dc:creator>

		<guid isPermaLink="true">https://studiogb.uk/Research-2</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Research</title>
				
		<link>https://studiogb.uk/Research-1</link>

		<pubDate>Thu, 01 Sep 2022 13:28:16 +0000</pubDate>

		<dc:creator>studio gb</dc:creator>

		<guid isPermaLink="true">https://studiogb.uk/Research-1</guid>

		<description>

&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/f296e4070905f38865a1107fa263723ed26279486f9b022f191b76580e98e92f/Axonometric.jpg" data-mid="151833061" border="0" alt="Timber Seat" data-caption="Timber Seat" src="https://freight.cargo.site/w/1000/i/f296e4070905f38865a1107fa263723ed26279486f9b022f191b76580e98e92f/Axonometric.jpg" /&#62;
&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/44315e3b50b209f933195a18d5752aa6ae69145a648377acaa7a366339693489/DSCF5822.jpg" data-mid="152382936" border="0" alt="Street Trees" data-caption="Street Trees" src="https://freight.cargo.site/w/1000/i/44315e3b50b209f933195a18d5752aa6ae69145a648377acaa7a366339693489/DSCF5822.jpg" /&#62;
&#60;img width="1800" height="2700" width_o="1800" height_o="2700" data-src="https://freight.cargo.site/t/original/i/9659c8fb935e9e2ba4afd096fe24785055f9e94ae2509e4da67bfe907700d677/front-cover.jpg" data-mid="152390282" border="0" alt="Climbers" data-caption="Climbers" src="https://freight.cargo.site/w/1000/i/9659c8fb935e9e2ba4afd096fe24785055f9e94ae2509e4da67bfe907700d677/front-cover.jpg" /&#62;
&#60;img width="1500" height="2250" width_o="1500" height_o="2250" data-src="https://freight.cargo.site/t/original/i/c9ae1bdecfdca4ce71ff84f4d3f094d5e462b4a9bb01595f078cf1338d255063/Poster_Guculak_260821.jpg" data-mid="151833067" border="0" alt="Rus in Urbe" data-caption="Rus in Urbe" src="https://freight.cargo.site/w/1000/i/c9ae1bdecfdca4ce71ff84f4d3f094d5e462b4a9bb01595f078cf1338d255063/Poster_Guculak_260821.jpg" /&#62;
&#60;img width="1655" height="2342" width_o="1655" height_o="2342" data-src="https://freight.cargo.site/t/original/i/ea03799cb41b97cb59c9e04048316ffbc32eb30c6a80d16a49c7a224de74ad54/Axonometric-crop.jpg" data-mid="153416929" border="0" alt="Apiary Apartments" data-caption="Apiary Apartments" src="https://freight.cargo.site/w/1000/i/ea03799cb41b97cb59c9e04048316ffbc32eb30c6a80d16a49c7a224de74ad54/Axonometric-crop.jpg" /&#62;
&#60;img width="1378" height="2168" width_o="1378" height_o="2168" data-src="https://freight.cargo.site/t/original/i/42d8fd65b81a208e784a851890c33f7fe0989c2986d8ad86b39ff2870581aa46/dolmen-postcard-1.jpg" data-mid="151833062" border="0" alt="Yorkstone Seat" data-caption="Yorkstone Seat" src="https://freight.cargo.site/w/1000/i/42d8fd65b81a208e784a851890c33f7fe0989c2986d8ad86b39ff2870581aa46/dolmen-postcard-1.jpg" /&#62;
&#60;img width="976" height="1440" width_o="976" height_o="1440" data-src="https://freight.cargo.site/t/original/i/b8bca718ae8ca6cb98fc689f5ec4d9ee5fa3a45870c4f242c7b06c1a5892b2cd/Isle_of_Portland_OS_map.jpg" data-mid="151834733" border="0" alt="Portland Stone Seat" data-caption="Portland Stone Seat" src="https://freight.cargo.site/w/976/i/b8bca718ae8ca6cb98fc689f5ec4d9ee5fa3a45870c4f242c7b06c1a5892b2cd/Isle_of_Portland_OS_map.jpg" /&#62;
&#60;img width="2479" height="3508" width_o="2479" height_o="3508" data-src="https://freight.cargo.site/t/original/i/b317a65f8557b52c006b7570c818cc25ec2915e48f8494b3700c10d3ca0a053a/technical-drawing.jpg" data-mid="151833065" border="0" alt="Reimagining a Modern Icon" data-caption="Reimagining a Modern Icon" src="https://freight.cargo.site/w/1000/i/b317a65f8557b52c006b7570c818cc25ec2915e48f8494b3700c10d3ca0a053a/technical-drawing.jpg" /&#62;
&#60;img width="647" height="957" width_o="647" height_o="957" data-src="https://freight.cargo.site/t/original/i/23d21034ee004a4c4e33c55e67a32482357c0d0668a281ae801c2eedb4090702/Landscape-observer.jpg" data-mid="153436663" border="0" alt="Landscape Observer" data-caption="Landscape Observer" src="https://freight.cargo.site/w/647/i/23d21034ee004a4c4e33c55e67a32482357c0d0668a281ae801c2eedb4090702/Landscape-observer.jpg" /&#62;
&#60;img width="3232" height="3232" width_o="3232" height_o="3232" data-src="https://freight.cargo.site/t/original/i/ae567f417b6a0f16960531fc768225b9640030e9b0f34f1246adfbd774a43d71/brick-4-copy.jpg" data-mid="152034777" border="0" alt="London Seat" data-caption="London Seat" src="https://freight.cargo.site/w/1000/i/ae567f417b6a0f16960531fc768225b9640030e9b0f34f1246adfbd774a43d71/brick-4-copy.jpg" /&#62;
&#60;img width="1500" height="2400" width_o="1500" height_o="2400" data-src="https://freight.cargo.site/t/original/i/e66080cac17f888497b0947edd92f72745ff5caa6c33a3e5031f9c02034dcb11/Shitscapes-cover.jpg" data-mid="154609706" border="0" alt="Sh*tscapes" data-caption="Sh*tscapes" src="https://freight.cargo.site/w/1000/i/e66080cac17f888497b0947edd92f72745ff5caa6c33a3e5031f9c02034dcb11/Shitscapes-cover.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Landscape Observer</title>
				
		<link>https://studiogb.uk/Landscape-Observer</link>

		<pubDate>Thu, 01 Sep 2022 13:52:47 +0000</pubDate>

		<dc:creator>studio gb</dc:creator>

		<guid isPermaLink="true">https://studiogb.uk/Landscape-Observer</guid>

		<description>
	Landscape Observer: London

This atlas of contemporary landscape architecture in London offers a comprehensive overview of new projects within public space. Over the past years, major investments in the infrastructure and housing market of London have driven the need for high-quality public spaces. In the course of this development, new public areas have been created, brownfields have been revitalised, and already-existing gardens and parklands have been upgraded.Landscape Observer: London illustrates these spaces with numerous photographs. Details of the hard and soft landscape elements are labelled to provide essential information on key materials and plants used in each individual project. The book serves as a reference guide and inspiration for landscape architects and urban planners, as well as for garden designers and political activists in the field of infrastructure and urban planning. It invites readers to discover the environmental quality and the design diversity of the external public spaces in the metropolis.&#60;img width="3600" height="2700" width_o="3600" height_o="2700" data-src="https://freight.cargo.site/t/original/i/45557b13053f679c22a440be5dd86b61ac472ecf817393c5b5893f3158acab50/landscape-observer-236-237.jpg" data-mid="154614573" border="0" data-scale="87" src="https://freight.cargo.site/w/1000/i/45557b13053f679c22a440be5dd86b61ac472ecf817393c5b5893f3158acab50/landscape-observer-236-237.jpg" /&#62;

&#60;img width="3601" height="2700" width_o="3601" height_o="2700" data-src="https://freight.cargo.site/t/original/i/a03a9d9bb28daa6cd75d7aff7c863582297f5d3331b89e4682e404dc7efcf99c/landscape-observer-226-227.jpg" data-mid="152057069" border="0"  src="https://freight.cargo.site/w/1000/i/a03a9d9bb28daa6cd75d7aff7c863582297f5d3331b89e4682e404dc7efcf99c/landscape-observer-226-227.jpg" /&#62;




	
&#60;img width="647" height="957" width_o="647" height_o="957" data-src="https://freight.cargo.site/t/original/i/23d21034ee004a4c4e33c55e67a32482357c0d0668a281ae801c2eedb4090702/Landscape-observer.jpg" data-mid="153436564" border="0" data-scale="66" src="https://freight.cargo.site/w/647/i/23d21034ee004a4c4e33c55e67a32482357c0d0668a281ae801c2eedb4090702/Landscape-observer.jpg" /&#62;
&#60;img width="3601" height="2700" width_o="3601" height_o="2700" data-src="https://freight.cargo.site/t/original/i/50e086095efca85de4c9a3ebce276552a7705ad003676a5ca866d17ff2da481a/landscape-observer-116-117.jpg" data-mid="152057072" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/50e086095efca85de4c9a3ebce276552a7705ad003676a5ca866d17ff2da481a/landscape-observer-116-117.jpg" /&#62;

&#60;img width="3600" height="2700" width_o="3600" height_o="2700" data-src="https://freight.cargo.site/t/original/i/589b7048347b525bd587d55392e2bc2fc189f14f11a397a4f801ffafc499dade/landscape-observer-4-5.jpg" data-mid="154614572" border="0" data-scale="84" src="https://freight.cargo.site/w/1000/i/589b7048347b525bd587d55392e2bc2fc189f14f11a397a4f801ffafc499dade/landscape-observer-4-5.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Street Trees</title>
				
		<link>https://studiogb.uk/Street-Trees</link>

		<pubDate>Thu, 08 Sep 2022 08:57:46 +0000</pubDate>

		<dc:creator>studio gb</dc:creator>

		<guid isPermaLink="true">https://studiogb.uk/Street-Trees</guid>

		<description>
	Street Trees
























London was declared the first National Park City in 2019 and is considered one of the world's largest urban forests with 21% of its surface covered by trees. To balance pressures from a growing population and new developments, the Mayor of London aims to increase tree canopy cover to 23% by 2050.
We aim to observe and collect data on London street trees to understand what to plant next. We gather evidence on the diversity of the urban tree canopy and use data to inform our choice of future tree planting. We are interested in trees that can combat harsh urban conditions, strong winds and pollution, and we study the species that can withstand climate change and resist pests and diseases.





&#38;nbsp;&#60;img width="1402" height="2048" width_o="1402" height_o="2048" data-src="https://freight.cargo.site/t/original/i/27451ef68c6fc2db9674a469d122ffe15eba56a7ac0e8adb33acfeb4d3f26fff/DSCF6097-2.jpg" data-mid="152381291" border="0" data-scale="89" src="https://freight.cargo.site/w/1000/i/27451ef68c6fc2db9674a469d122ffe15eba56a7ac0e8adb33acfeb4d3f26fff/DSCF6097-2.jpg" /&#62;
︎︎︎ Quercus robur ‘Fastigiate Koster’
&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/44315e3b50b209f933195a18d5752aa6ae69145a648377acaa7a366339693489/DSCF5822.jpg" data-mid="152382576" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/44315e3b50b209f933195a18d5752aa6ae69145a648377acaa7a366339693489/DSCF5822.jpg" /&#62; &#38;nbsp; &#38;nbsp;&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/84eaa5ce11f64311adb7b806744189fa88032e41ab004f0adc7be6d286434e5d/DSCF6047.jpg" data-mid="152382578" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/84eaa5ce11f64311adb7b806744189fa88032e41ab004f0adc7be6d286434e5d/DSCF6047.jpg" /&#62;

︎︎︎ Prunus ‘Kanzan’ and Cersis&#38;nbsp;siliquastrum









	
&#60;img width="2929" height="3957" width_o="2929" height_o="3957" data-src="https://freight.cargo.site/t/original/i/68d2539e6c2ac0692bbca9d27c535d02d38d3740ac16086f4d39a4bccade3bd5/Trees-bark-collage.jpg" data-mid="152382334" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/68d2539e6c2ac0692bbca9d27c535d02d38d3740ac16086f4d39a4bccade3bd5/Trees-bark-collage.jpg" /&#62;

︎︎︎ Bark survey





&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/312005866639d65f5543973aceb0cec6a735dd00a77b098c93080f6530741755/DSCF5999.jpg" data-mid="152381360" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/312005866639d65f5543973aceb0cec6a735dd00a77b098c93080f6530741755/DSCF5999.jpg" /&#62;

︎︎︎ Acer campestre


&#60;img width="1213" height="2048" width_o="1213" height_o="2048" data-src="https://freight.cargo.site/t/original/i/b6e2640ca2cf1806a999653cc1876e249bb08197950800e00d131878fc6ab8bf/DSCF6265.jpg" data-mid="152381354" border="0" data-scale="71" src="https://freight.cargo.site/w/1000/i/b6e2640ca2cf1806a999653cc1876e249bb08197950800e00d131878fc6ab8bf/DSCF6265.jpg" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Sh*tscapes</title>
				
		<link>https://studiogb.uk/Sh-tscapes</link>

		<pubDate>Thu, 01 Sep 2022 14:09:46 +0000</pubDate>

		<dc:creator>studio gb</dc:creator>

		<guid isPermaLink="true">https://studiogb.uk/Sh-tscapes</guid>

		<description>
	Sh*tscapes
In the age of glossy architecture visualisations and slick
photography, we feel that the web and print media are saturated with the
idealised, photoshopped, bird’s eye view images of the projects being mummified
in their ideal, untouched, unused state. Rarely do we get to see a closeup
image, a detail of an interface or a landscape project that has been in use
after five or even ten years.



Instagram is partly responsible for creating a generation of
designers obsessed with creating perfect images. Naturally, we all want to
promote our work and share flawless images with the world. The reality,
however, is seldom immaculate. Imperfections and failures should be exposed and
studied. Arguably we can learn as much from bad examples as we do from shining
precedents. 



Every design or technical publication on landscape
architecture tries to teach us how to do things based on best practices and
examples. To counterbalance this status quo, we believe it is time to review
and scrutinise our sh*tscapes.&#38;nbsp;
&#60;img width="3000" height="2400" width_o="3000" height_o="2400" data-src="https://freight.cargo.site/t/original/i/2b6b906e6ae48eb4f8e584d6afea433cc5c055dcb619c2d5bdc6e7bdd8b0fc01/Shitscapes-Pages-6-7.jpg" data-mid="154609685" border="0"  src="https://freight.cargo.site/w/1000/i/2b6b906e6ae48eb4f8e584d6afea433cc5c055dcb619c2d5bdc6e7bdd8b0fc01/Shitscapes-Pages-6-7.jpg" /&#62;


We created a compendium of failures, an ongoing ruthless investigation
of the mistakes made during the design, construction and maintenance of our public spaces. Our research is focused on providing a simple and practical
guide for the new generations of landscape architects and urban designers.&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f7decf69223546bbfda096f21692808bdbedcb1cdd0ec6c44ad3113753ca7529/DSCF6291.jpg" data-mid="153440021" border="0" data-scale="79" src="https://freight.cargo.site/w/1000/i/f7decf69223546bbfda096f21692808bdbedcb1cdd0ec6c44ad3113753ca7529/DSCF6291.jpg" /&#62;

	&#60;img width="1535" height="2362" width_o="1535" height_o="2362" data-src="https://freight.cargo.site/t/original/i/942947e72ce17d804078eaccbab06631bea5659f60d89fb71458fc280576a0eb/mark_cov_9783986120764-copy.jpg" data-mid="221228509" border="0"  src="https://freight.cargo.site/w/1000/i/942947e72ce17d804078eaccbab06631bea5659f60d89fb71458fc280576a0eb/mark_cov_9783986120764-copy.jpg" /&#62;


Sh*tscapes

 does not focus on specific projects, locations,
or designers but looks at problems in isolation. We
analyse, reflect and provide practical solutions and options for designers to
consider when encountering similar constraints.


&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/f78cc2f491b3bc5a4fc0311aea267051237520f2cfa503c43306b2bcaeea2508/DSCF6303.jpg" data-mid="153440039" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/f78cc2f491b3bc5a4fc0311aea267051237520f2cfa503c43306b2bcaeea2508/DSCF6303.jpg" /&#62;
&#60;img width="3000" height="2400" width_o="3000" height_o="2400" data-src="https://freight.cargo.site/t/original/i/1870118ff4a725519b426583a093b3e0cb7e762636336ce1410c5dd5a2233871/Shitscapes-Pages-10-11.jpg" data-mid="154609686" border="0"  src="https://freight.cargo.site/w/1000/i/1870118ff4a725519b426583a093b3e0cb7e762636336ce1410c5dd5a2233871/Shitscapes-Pages-10-11.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Apiary Apartments</title>
				
		<link>https://studiogb.uk/Apiary-Apartments</link>

		<pubDate>Thu, 01 Sep 2022 09:00:23 +0000</pubDate>

		<dc:creator>studio gb</dc:creator>

		<guid isPermaLink="true">https://studiogb.uk/Apiary-Apartments</guid>

		<description>

	




















Apiary Apartments




‘Insect hotels’ have become a fashionable object in recent years. They help increase the biodiversity of our gardens and cities by hosting species that play a crucial role in our natural environment. Today, no community garden, wildlife reserve, school garden or local allotment seem to exist without a ‘bug hotel’.

Sadly, the needs of native solitary bees are often overlooked. They provide an essential service to our ecosystem by pollinating our crops and ensuring that our natural habitat stays healthy and productive. They are also known to pollinate plants more efficiently than honey bees.&#38;nbsp;







&#60;img width="1513" height="763" width_o="1513" height_o="763" data-src="https://freight.cargo.site/t/original/i/c02120d046b087a7f43bb058b55329876d4ec7d9837e9a98a29a7ee7c8c1e4bf/bees-stamps-white-background.jpg" data-mid="151810621" border="0"  src="https://freight.cargo.site/w/1000/i/c02120d046b087a7f43bb058b55329876d4ec7d9837e9a98a29a7ee7c8c1e4bf/bees-stamps-white-background.jpg" /&#62;

︎︎︎ Royal Mail stamps, bees of Britain, 2015

	

&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/37e00ccb97b1c8c1db594f75231f1097be452a68e5d00a1c1544c227ce2d049e/DSCF9152.jpg" data-mid="151801886" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/37e00ccb97b1c8c1db594f75231f1097be452a68e5d00a1c1544c227ce2d049e/DSCF9152.jpg" /&#62;



With Apiary Apartments, we focused on creating simple structures specifically designed for these bees. Built with biodegradable materials, the hotel creates the perfect conditions for them to thrive. Standing a metre off the ground, positioned in full sun facing south or southeast, the design proposes a series of structures inspired by modern and contemporary art.




	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="2479" height="3508" width_o="2479" height_o="3508" data-src="https://freight.cargo.site/t/original/i/4ef4cae61cb6a263d4ae66c5473ea24666194dae84ae055e8514fc02c17c518f/Axonometric.jpg" data-mid="151801878" border="0" data-scale="75" src="https://freight.cargo.site/w/1000/i/4ef4cae61cb6a263d4ae66c5473ea24666194dae84ae055e8514fc02c17c518f/Axonometric.jpg" /&#62;
	&#60;img width="606" height="800" width_o="606" height_o="800" data-src="https://freight.cargo.site/t/original/i/99b8cb507fc6d0ea795c888e35a327679454c9fe2f034c1f6aa75e50ee93c0b8/Karl-Blossfeldt_Equisetum-hyemale.jpg" data-mid="151801883" border="0" data-scale="70" alt="Karl Blossfeldt, Equisetum hyemale, 1898&#38;ndash;1928 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; " data-caption="Karl Blossfeldt, Equisetum hyemale, 1898–1928 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; " src="https://freight.cargo.site/w/606/i/99b8cb507fc6d0ea795c888e35a327679454c9fe2f034c1f6aa75e50ee93c0b8/Karl-Blossfeldt_Equisetum-hyemale.jpg" /&#62;

︎︎︎ Karl Blossfeldt, Equisetum hyemale, 1898–1928



&#38;nbsp;&#38;nbsp;



	&#60;img width="790" height="2000" width_o="790" height_o="2000" data-src="https://freight.cargo.site/t/original/i/4583693734d3a88199762a66c884eb8726eb9d02c2073910d8fd63198a63db01/Constantin-Brancusi_Column-Without-End.jpg" data-mid="151801880" border="0" data-scale="30" alt="Constantin Brancusi" data-caption="Constantin Brancusi" src="https://freight.cargo.site/w/790/i/4583693734d3a88199762a66c884eb8726eb9d02c2073910d8fd63198a63db01/Constantin-Brancusi_Column-Without-End.jpg" /&#62;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;︎︎︎ Constantin Brancusi, Column Without End, version I, 1918


	&#60;img width="2686" height="4027" width_o="2686" height_o="4027" data-src="https://freight.cargo.site/t/original/i/c2daf28397a6f52722bf355e77b5875651815ace9690c7aa4974a2f6b66cd0f5/DSCF9169.jpg" data-mid="151801888" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/c2daf28397a6f52722bf355e77b5875651815ace9690c7aa4974a2f6b66cd0f5/DSCF9169.jpg" /&#62;


	&#60;img width="5048" height="3365" width_o="5048" height_o="3365" data-src="https://freight.cargo.site/t/original/i/811fedca0481b700bc41917cf07eeea721bba390302d87d7972a561061973d29/DSCF9227.jpg" data-mid="151801889" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/811fedca0481b700bc41917cf07eeea721bba390302d87d7972a561061973d29/DSCF9227.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp;
	&#60;img width="892" height="886" width_o="892" height_o="886" data-src="https://freight.cargo.site/t/original/i/27abdd7cecce48f3343d744becdcfff23a158d098b8996bf10e364f54c6a2d8d/Sol-LeWitt-2.jpg" data-mid="151801884" border="0" data-scale="72" src="https://freight.cargo.site/w/892/i/27abdd7cecce48f3343d744becdcfff23a158d098b8996bf10e364f54c6a2d8d/Sol-LeWitt-2.jpg" /&#62;︎︎︎ Sol LeWitt, [no title], 1982 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;




	&#60;img width="2000" height="2001" width_o="2000" height_o="2001" data-src="https://freight.cargo.site/t/original/i/f8f271399b1b4bf4c0ccae268cc2a7fdfc5f8aa989124af933819ebada225abb/Ettore-Sottsass_Adesso-Pero-bookcase.jpg" data-mid="151801882" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/f8f271399b1b4bf4c0ccae268cc2a7fdfc5f8aa989124af933819ebada225abb/Ettore-Sottsass_Adesso-Pero-bookcase.jpg" /&#62;︎︎︎ Ettore Sottsass, Adesso Pero bookcase from the Ruins series, 1992


	&#60;img width="4000" height="6000" width_o="4000" height_o="6000" data-src="https://freight.cargo.site/t/original/i/63743a94b3422b0730f6a0431e4f0ad3e82d2043559080643ace7cb409aad5a7/DSCF9201.jpg" data-mid="151801887" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/63743a94b3422b0730f6a0431e4f0ad3e82d2043559080643ace7cb409aad5a7/DSCF9201.jpg" /&#62;

 

&#38;nbsp;
</description>
		
	</item>
		
		
	<item>
		<title>Rus In Urbe</title>
				
		<link>https://studiogb.uk/Rus-In-Urbe</link>

		<pubDate>Thu, 01 Sep 2022 11:18:36 +0000</pubDate>

		<dc:creator>studio gb</dc:creator>

		<guid isPermaLink="true">https://studiogb.uk/Rus-In-Urbe</guid>

		<description>
	Rus in Urbe

Rus in Urbe was exhibited at the Gardens of Versailles in 2021, thanks to the National School of Landscape Architecture. The exhibition was an opportunity to showcase our long-term research into food production, foraging and waste in the contemporary city.





&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/13a5edb1e6345cb3f2fbb61d269c6a13b7b7990ce2cb671b76080bbe602d3435/DSCF5536.jpg" data-mid="151816885" border="0"  src="https://freight.cargo.site/w/1000/i/13a5edb1e6345cb3f2fbb61d269c6a13b7b7990ce2cb671b76080bbe602d3435/DSCF5536.jpg" /&#62;

In nature, camouflage is defined as the natural colouring or form of an animal that enables it to blend in with its surroundings. In the urban environments, people decided

that in order for unsightly man-made structures to blend its best if they stand out. In order to look ‘natural’ and fit in we use artificial images of nature to cover any aspects of the city,
be it a construction site, a bin enclosure, a railing in front of a
pub.

By recreating natural-looking landscapes in places where these would never occur people attempt to create a new
constructed impression, an image, an idea of a natural

environment. Our distant memories of the countryside are being diluted, digested, and spit out in a form of a green collage, where trees, shrubs, and grasses are choreographed in an effortless manner, where evergreen lushness and homogeneous textures are never fading.

Hungry City is an ongoing colourful series depicting the surplus, waste, and decay of fruits on the streets of London. Its parks, commons, gardens and streets are surprisingly full
of edible fruits. Most people fail to notice this abundance and forget to look up into the canopies of the trees surrounding our neighbourhoods. Only when ripe fruits fall onto the
ground do we pay attention. Often at the point of decay, we realise a missed opportunity. Would we remember to come back next season and turn the abundant harvest into tasty treats
or preserves?
	


“If food waste was a country, it’d be the third-biggest contributor of CO2 after China and USA. 70% of the food that is wasted in the UK is wasted by citizens in their own homes. 81% of citizens are concerned about climate change, However, only 37% realise the connection with wasting food.” The surplus has to be recognised, redistributed, and utilised. Everyone enjoys a sweet fruit, so why don’t we enjoy the ones that already grow locally, often free and sometimes literally on our doorsteps?
Rocks, stone, and gravel have been integral to the design of our gardens for centuries. From a simple path to a meticulously crafted Japanese garden people have been fascinated with the practical and aesthetic qualities of this versatile natural material. Today in our cities a new type of Rock Garden is emerging, a Garden of Displacement, which is the latest fashion. Metropolitan Rock Gardens of boulders and pebbles are assembled to separate and restrict the movement, define zones and prevent plants or people from occupying a space.


&#60;img width="1422" height="1924" width_o="1422" height_o="1924" data-src="https://freight.cargo.site/t/original/i/7addb1b0b037755dfe77d38aaa6a842144cad2dfd9760ed7eae92843fd7a5e16/Plan_des_Potager_du_Roi.jpg" data-mid="151816880" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/7addb1b0b037755dfe77d38aaa6a842144cad2dfd9760ed7eae92843fd7a5e16/Plan_des_Potager_du_Roi.jpg" /&#62;︎︎︎&#38;nbsp;

Plan des Potager du Roi,&#38;nbsp;

de la Quintinie, 1716





	&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/d7eaff5efeb59f3339625385786294fbd23012056739681f732a1d35d42f45cf/DSCF5582.jpg" data-mid="151816886" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/d7eaff5efeb59f3339625385786294fbd23012056739681f732a1d35d42f45cf/DSCF5582.jpg" /&#62;

&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/c41a999cce5179f8734feac3639a7ad3321e5e82f97d9da7b42ca9cc22081fc2/DSCF5600.jpg" data-mid="151816887" border="0"  src="https://freight.cargo.site/w/1000/i/c41a999cce5179f8734feac3639a7ad3321e5e82f97d9da7b42ca9cc22081fc2/DSCF5600.jpg" /&#62;


&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/b0d450c3cbb6e75b3cb836a7821195532e0c74dbac9b487f9523b7e848468959/DSCF5463.jpg" data-mid="151816883" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/b0d450c3cbb6e75b3cb836a7821195532e0c74dbac9b487f9523b7e848468959/DSCF5463.jpg" /&#62;
	
&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/aaa9637ea751f69823909c01b0c62bbb50fd8fec68046df89b84c1d1cc303f32/DSCF5357.jpg" data-mid="151816881" border="0"  src="https://freight.cargo.site/w/1000/i/aaa9637ea751f69823909c01b0c62bbb50fd8fec68046df89b84c1d1cc303f32/DSCF5357.jpg" /&#62;

&#60;img width="1500" height="2122" width_o="1500" height_o="2122" data-src="https://freight.cargo.site/t/original/i/11c6394de3ce173bed93779c7d13f7485a22aa06633f4c780f41d996b9620764/location-plan.jpg" data-mid="151819294" border="0"  src="https://freight.cargo.site/w/1000/i/11c6394de3ce173bed93779c7d13f7485a22aa06633f4c780f41d996b9620764/location-plan.jpg" /&#62;


︎︎︎ Exhibition layout featuring 42 artworks across the walled garden

&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/b94bcc42e3affcffaecc245f2b242ec129d745cf3d4efa53f25d7fd6167c1b17/DSCF5483.jpg" data-mid="151816884" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/b94bcc42e3affcffaecc245f2b242ec129d745cf3d4efa53f25d7fd6167c1b17/DSCF5483.jpg" /&#62;


	&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/584dd114c988ab37b79c5fbeda0f4faa20e6afb11d66dfc10a54869c7f475f81/DSCF5364.jpg" data-mid="151816882" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/584dd114c988ab37b79c5fbeda0f4faa20e6afb11d66dfc10a54869c7f475f81/DSCF5364.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Reimagining a Modern Icon</title>
				
		<link>https://studiogb.uk/Reimagining-a-Modern-Icon</link>

		<pubDate>Thu, 01 Sep 2022 12:47:49 +0000</pubDate>

		<dc:creator>studio gb</dc:creator>

		<guid isPermaLink="true">https://studiogb.uk/Reimagining-a-Modern-Icon</guid>

		<description>
	Reimagining a Modern Icon

Our bench takes inspiration from two design classics: Marcel Breuer and Mies van der Rohe's iconic chairs. In the spirit of democratising good design for all, we reinvented this icon for a new reality, focused on sustainability. We propose a classic for the outdoors that considers material origins, lifecycle and carbon footprint. 
The bench is a hard-wearing, sturdy piece made from recycled materials suitable for public spaces. Made of standard steel tubing and recycled plastic panels, the seat was designed to be simple and easily adaptable to any context. Curved, short or long, it can also be fitted with a backrest and a small side table.

&#38;nbsp;


&#60;img width="1360" height="1360" width_o="1360" height_o="1360" data-src="https://freight.cargo.site/t/original/i/fbe005b5c2e8ea4d7a07aa6b82f4d5421fe8c9db9e3ade2a9023f32b73b7f275/49.jpg" data-mid="151828471" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/fbe005b5c2e8ea4d7a07aa6b82f4d5421fe8c9db9e3ade2a9023f32b73b7f275/49.jpg" /&#62;︎︎︎ Werner Blaser. Mies van der Rohe in his apartment on East Pearson Street, 
Chicago, 1964

&#60;img width="744" height="800" width_o="744" height_o="800" data-src="https://freight.cargo.site/t/original/i/7dd69d32575449683ddbf6040cfb861c7d3811d5cdde8cbb89597c988412bfb7/tumblr_nit299n1be1sq0yfwo2_1280.jpg" data-mid="151828476" border="0" data-scale="78" src="https://freight.cargo.site/w/744/i/7dd69d32575449683ddbf6040cfb861c7d3811d5cdde8cbb89597c988412bfb7/tumblr_nit299n1be1sq0yfwo2_1280.jpg" /&#62;
︎︎︎ Cesca Chair side elevation, Marcel Breuer for Knoll, 1928&#38;nbsp;
&#60;img width="2479" height="3508" width_o="2479" height_o="3508" data-src="https://freight.cargo.site/t/original/i/b317a65f8557b52c006b7570c818cc25ec2915e48f8494b3700c10d3ca0a053a/technical-drawing.jpg" data-mid="151828992" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/b317a65f8557b52c006b7570c818cc25ec2915e48f8494b3700c10d3ca0a053a/technical-drawing.jpg" /&#62;
	

&#60;img width="2479" height="2479" width_o="2479" height_o="2479" data-src="https://freight.cargo.site/t/original/i/a2accc6abe9dd1907199b534b829c36a1e4492d6fe1096d187bd6a04af1cd521/Modernist-bench-drawing.jpg" data-mid="151828991" border="0" data-scale="86" src="https://freight.cargo.site/w/1000/i/a2accc6abe9dd1907199b534b829c36a1e4492d6fe1096d187bd6a04af1cd521/Modernist-bench-drawing.jpg" /&#62;
&#60;img width="900" height="650" width_o="900" height_o="650" data-src="https://freight.cargo.site/t/original/i/b33082068c633b79c73ce77e441ca20164d12e1e1bc94e764f692f7b563a3188/bauhaus-chair-history.jpg" data-mid="151828472" border="0" data-scale="73" src="https://freight.cargo.site/w/900/i/b33082068c633b79c73ce77e441ca20164d12e1e1bc94e764f692f7b563a3188/bauhaus-chair-history.jpg" /&#62;

︎︎︎ Erich Consemüller, Untitled (Woman in B3 club chair by Marcel Breuer wearing a mask by Oskar Schlemmer and a dress in fabric designed by Lis Beyer). ca. 1926.


&#60;img width="1920" height="725" width_o="1920" height_o="725" data-src="https://freight.cargo.site/t/original/i/9eac8beada77a2a0ed1186fc09a322f422c86f17196454002342e8e4941d2e0f/Full-Collection-with-Cosmos-and-Spectra.v2.jpg" data-mid="152922141" border="0"  src="https://freight.cargo.site/w/1000/i/9eac8beada77a2a0ed1186fc09a322f422c86f17196454002342e8e4941d2e0f/Full-Collection-with-Cosmos-and-Spectra.v2.jpg" /&#62;︎︎︎ Smile Plastics from their&#38;nbsp;
Classics Collection are 100% recycled and recyclable
&#60;img width="2479" height="2479" width_o="2479" height_o="2479" data-src="https://freight.cargo.site/t/original/i/dc77a845a1efa4682b10bf067f7f5a51d2085da629bf7c08911e3a957fa44347/Modernist-bench-axonometric.jpg" data-mid="151828990" border="0"  src="https://freight.cargo.site/w/1000/i/dc77a845a1efa4682b10bf067f7f5a51d2085da629bf7c08911e3a957fa44347/Modernist-bench-axonometric.jpg" /&#62;

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